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2021 Fleurie
Jean FoillardFresh hay on the nose, wet wheat field and moss. Light and living, charged with herbs, cranberry, and strawberry.
Jean’s wines, like the Beaujolais itself, have a way of bringing you squarely home. Each cuvée is unmistakably from here. The wine smells like the earth right before it rains and tastes like the pine forests high on the hills and the wild fruits in the underbrush. With vines unaltered by herbicides or pesticides, and every grape cluster twisted from the vine by hand, this is pure Beaujolais, and there is nothing better.
—Katie Dodds
Wine Type: | red |
Vintage: | 2021 |
Bottle Size: | 750mL |
Blend: | Gamay |
Appellation: | Fleurie |
Country: | France |
Region: | Beaujolais |
Producer: | Jean Foillard |
Winemaker: | Jean Foillard |
Vineyard: | 45-50 years, 1 ha |
Soil: | Pink granite |
Farming: | Organic (certified) |
Alcohol: | 12% |
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2020 Morgon “Eponym”
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This cuvée shares the satin texture of all Foillard Morgons, and should age similarly well for those willing and able to wait.
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Floral and succulent, bursting with notes of little red berries, but it is also delicate and light on its feet.
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This cuvée shares the satin texture of all Foillard Morgons, and should age similarly well for those willing and able to wait.
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This is a true homage cuvée, with an old-fashioned soul and vibrant energy.
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An electric lightning bolt of Gamay from a steep, windy hillside.
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If Beaujolais were Burgundy, we might consider Morgon to be Vosne-Romanée, with its haunting perfume and silky texture, the proverbial iron fist in a velvet glove.
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2020 Côte de Brouilly
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Alex Foillard fashions a Côte-de-Brouilly that strikes a deeper register, saturating the senses with tooth-staining fruit, gritty earth, and just a touch of the good funk.
About The Producer
Jean Foillard
About The Region
Beaujolais
After years of the region’s reputation being co-opted by mass-produced Beaujolais Nouveau and the prevalence of industrial farming, the fortunes of vignerons from the Beaujolais have been on the rise in the past couple of decades. Much of this change is due to Jules Chauvet, a prominent Beaujolais producer who Kermit worked with in the 1980s and arguably the father of the natural wine movement, who advocated not using herbicides or pesticides in vineyards, not chaptalizing, fermenting with ambient yeasts, and vinifying without SO2. Chief among Chauvet’s followers was Marcel Lapierre and his three friends, Jean Foillard, Guy Breton, and Jean-Paul Thévenet—a group of Morgon producers who Kermit dubbed “the Gang of Four.” The espousal of Chauvet’s methods led to a dramatic change in quality of wines from Beaujolais and with that an increased interest and appreciation for the AOC crus, Villages, and regular Beaujolais bottlings.
The crus of Beaujolais are interpreted through the Gamay grape and each illuminate the variety of great terroirs available in the region. Distinguishing itself from the clay and limestone of Burgundy, Beaujolais soils are predominantly decomposed granite, with pockets of blue volcanic rock. The primary vinification method is carbonic maceration, where grapes are not crushed, but instead whole clusters are placed in a tank, thus allowing fermentation to take place inside each grape berry.
Much like the easy-going and friendly nature of many Beaujolais vignerons, the wines too have a lively and easy-drinking spirit. They are versatile at table but make particularly good matches with the local pork sausages and charcuterie. Though often considered a wine that must be drunk young, many of the top crus offer great aging potential.
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Kermit once said...
Kermit once said...
When buying red Burgundy, I think we should remember:
1. Big wines do not age better than light wine.
2. A so-called great vintage at the outset does not guarantee a great vintage for the duration.
3. A so-called off vintage at the outset does not mean the wines do not have a brilliant future ahead of them.
4. Red Burgundy should not taste like Guigal Côte-Rôtie, even if most wine writers wish it would.
5. Don’t follow leaders; watch yer parking meters.
Inspiring Thirst, page 174